Toorop
had a Dutch father and a partly Chinese mother from the island of
Banka. He looked very Indonesian, at least to Dutch people. He was only
eleven years old when he moved to the Netherlands ion 1969. It is
debated how much he was influenced by Indonesia, wayang performances or
other artistic traditions. The exhibition in Doesburg was advertised as
a way to see the Indonesian influences in the work of this artist who
is also known as a prominent member of Art Nouveau or symbolic art
around 1900. In fact we could not see much direct Indonesian influence.
Below
we see here the advertisement of oil to be used in salades. Can we see
here a remembrence of Javanese batik art? In 1905 Toorop (who was raised
as a nominal Protestant), converted to Catholicism and the image of the
Trinity above as one examples of this period in his career. He became
immensely popular in the Catholic world of the Netherlands, but not much
is seen of Indonesian influence.
This
lady is Nicolina van Sloot, born in Semarang 1853 of pure Dutch
parents. Her father was a teacher at a primary school. She followed a
secndary school, probably at the Ursuline sisters in Batavia. The family
moved to the Netherlands in 1871. Until her death in 1927 she wrote
more than fifty novels, most of the under her penn-name Melati of Java.
She never married and could live from her writings, because the romantic
novels, many about the Dutch Indies were very popular. It was het
trademark! She wrote even a novel about the historic person of Surapati,
glorifying him as a noble fighter against colonialism. Recently a new
biography has been published as a doctoral dissertation: she still has
some fame in the Netherlands, but as far as I know none of her books
were ever translated into Indonesian.
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